Tech Swing


Company:	ATG Entertainment
Salary:	UKT/Equity Agreement or UKT/Bectu Agreement
Hours:	Full-time
Location:	London, WC2H 0AR
Working pattern:	On-site
Job type:	Contract
Posting date:	15 Oct 2026
Closing date:	30 Oct 2026

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Summary

Tech Swing

ATG Productions are recruiting for the following roles to join the backstage team for a touring production of a 3-hander comedy

Rehearsals in London from Monday 4th January 2027

Tech week from Monday 25th January 2027

Tour runs until Saturday 8th May 2027

Contract Type: UKT/Equity Agreement or UKT/Bectu Agreement.

Relevant theatre training or experience in each of these roles is essential.

We are committed to building back better and creating an inclusive workforce.

To apply: Please follow the below link to the ATG recruitment portal. If you have one, please include a CV. If not, don’t worry – please tell us a bit about your background and what you could bring to the role in the “About Yourself” section.

Deadline: Please get in touch no later than Friday 30th October.

ATG Productions is committed to a workplace culture which embraces diversity and inclusion in all departments.

Please note, all applicants must have the right to work in the UK.

We are proud to be an equal opportunity employer and strive to provide a stage for everyone. Onstage and off, we hold ourselves accountable for nurturing an inclusive culture. Find out more about us and our values at atg.co.uk and careers.atg.co.uk

We recommend applying early for this position, but we'd also like to hear from people who are interested in working with ATG Productions in the future.

JOB DESCRIPTION – TECH SWING

Those normally expected of a Technical Swing of a first-class Touring production, as such expression is usually understood and includes but are not limited to working with the Head of Sound, Head of LX and Stage Manager to support the Sound, LX and stage management departments in achieving the requirements for the production and the overall manner in which it is to be presented on the stage, supporting LX, Sound and Stage Management departments with their float days across the tour, and assisting on the get-in and get-out of either the Sound and LX or Stage Management departments during each venue move, depending on the need of the production. The Producer reserves the right to edit your involvement in the load in/load out schedule as the tour progresses.

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